Photoshop and Lightroom post-processing are powerful tools. However, there is a limit to its capabilities, especially when it comes to the exposure of your image.
An overexposed image will blow out your highlights and no amount of exposure adjustments will bring back the information that was lost in those highlights. That info is gone…forever.
A severely underexposed image is no better. Sure, you can bump up the exposure a bunch and chances are all of the information will be there. Unfortunately, increasing exposure that much has insanely negative effects on the image’s color. Seriously, it’s horrendous!
All that so say, a properly exposed image is ideal and will make your life so much easier once you sit down in your editing chair.
So, how do you go about getting it right in camera?
Here’s my secret:
What does shooting for skin tones even mean? It means, I want to expose for my subject’s skin so that I’m able to edit and make my client’s skin look like their real, glowy skin.
How I go about getting it right in camera is actually a fairly simple process…it’s not necessarily easy, but the concept isn’t terribly complex.
First, I want to put my client in amazing light. Is light hitting their face? It should be. Light should always find your subject’s face, whether it’s directly hitting it or hitting it from a secondary light source. If your subject’s face is in the dark, move them.
Once your client is in amazing light, you’ll want to set your settings (ISO, aperture, and shutter speed) so that your camera’s light meter reads 0 or just under 0. I like to have my ISO as low as possible, my aperture as wide as possible, and my shutter speed as fast as possible.
Now that you have your settings plugged in, take a test shot and look at your histogram. Your camera has a few different histograms. The primary one is the luminosity histogram. That shows overall brightness of an image and usually has a monochromatic display. This is important but I want you to instead look at your color histograms, specifically the red one.
Why the red histogram? Because skin tones show up in the red zone. Go into Lightroom and start playing with your HSL sliders. You’ll see that your client’s skin is effected when you move the red, orange, and/or yellow sliders. Cool, right?
To have a properly exposed image for skin, you’ll need information to spread across the entire range of your red histogram.
Play with your camera settings until your red histogram tells you that you have a properly exposed image. It may look darker than what you’re used to, but trust me, this will work in your favor when you sit down to edit.
And that’s it! That’s my secret to getting it right in camera.
How do we even start to say thank you for all the work and effort you put into our wedding day?
- Josie and Scott
Lauren played such a meaningful role in our wedding, capturing the day in photos that we'll look back on for the rest of our lives. She kept Scott and me calm and sane - Lauren is a miracle worker! She put in 100% effort and gave us her very best, and that means so much to me. Seeing our photographs makes me so excited and so happy that Lauren was with us on this journey.
Lauren made the process so easy and made us feel so comfortable!
- Amy and Luke
We just wanted to say thank you again so much for your amazing work. You were seriously incredible to work with and we loved the locations you suggested for both our engagement shoot and the spots in Stillwater. We were very worried about getting professional photos done since we had never done it before, but you made the process so easy and made us feel so comfortable. Thank you!
Working with Lauren was easy breezy and FUN! She gave us our most treasured photos ever!
- GRACE AND NICK
There was a chunk of time in our wedding planning when we thought we'd go without a professional photographer to save on cost (terrible idea!) but once we met with Lauren, we knew we'd be in good hands. She checked in often and asked questions that got us thinking about other parts of the wedding that we probably would've missed. Lauren captured exactly who we are as a couple!
Lauren's enthusiasm and passion make the photo-taking process so fun – she made me feel like a star!
- Alisa AND Adam
Lauren and her team are so much fun to work with! She made us feel so comfortable on the day of our wedding, providing both silly and helpful cues to help us relax and be ourselves in our photos. Lauren’s background in dance is super helpful in recognizing simple posture changes that make a big difference, too. Oh, and the photos we got are just stunning!
Lauren was pivotal in making our wedding day perfect!
- Emma AND Erik
My husband and I looked FOR MONTHS to find the perfect photographer and after meeting Lauren we knew was the best fit for us. She made our day so much fun and easy. She found little opportunities to make the perfect photo all with a calm ease that comes from someone who has an artistic eye along with experience in understanding the flow of a wedding.
Not only is Lauren an amazing human being, but she is an awesome photographer!
- Haley AND Erick
I've been in several weddings and have worked with a multitude of photographers and I never felt as confident as I did with Lauren. I love how professional she is. She helped with the timeline way in advance and we stuck to that timeline the day of. She was also able to professionally and firmly keep unruly family members settled and focused and navigated family drama beautifully!